‘I am a native, rooted here’: Benjamin Britten, Samuel Palmer and the Neo‐Romantic Pastoral

Identifieur interne : 000018 ( Main/Exploration ); précédent : 000017; suivant : 000019

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‘I am a native, rooted here’: Benjamin Britten, Samuel Palmer and the Neo‐Romantic Pastoral

Auteurs : Tim Barringer

Source :

• Art History [ 0141-6790 ] ; 2011-02.

RBID : ISTEX:8CC8D742A54D50A90772E8783066985E83EC18AD

English descriptors

• Teeft :
  • Albert museum, Aldeburgh, Alexander horn, Ambrose, Ambrose imitation, Ambrose philips, Arnold whittall, Artistic rediscovery, Ashmolean museum, Auden, Baroque panoply, Barringer, Benjamin, Benjamin britten, Benjamin poets, Bindman, Blake, Blakean experience, Blow bugle blow, Bomb damage maps, Bourgeois convention, Boys fishing, British composers, British landscape, British museum, Britten, Britten sets, Canterbury pilgrims, Canterbury tale, Captain swing, Central section, Christopher palmer, Colin harrison, Conscientious objector, Contemporary problem, Cornfield, Crabbe, Critique, Cultural production, David bindman, David herbert, David mellor, David peters corbett, Dennis brain, Donald mitchell, Dreamy glimmer, Early work, Eclogue, Edmund wilson, Edward graham sutherland, Edward sackville west, English countryside, English reading, Engraving, Enid slater, Eric crozier, Etching, Evening church, Evening landscape, Evening star, Exhibition catalogue, First performance, First production, First time, First world, Flaming line, Flatford mill, Forster, Gainsborough, Gaudy daylight, Genius loci, Geoffrey grigson, George crabbe, Graham reynolds, Graham sutherland, Grigson, Grime, Hans keller, Harvest moon, Henry moore, Historical associations, Horn player, Human body, Idyll, Imogen holst, Invisible worm, John constable, John craxton, John minton, John piper, Kenneth clark, Kentish countryside, Kitty hauser, Landscape, Linnell, London county, London museum, Lullingstone park, Mellon, Michael kennedy, Michael tippett, Modern city, Modern world, Montagu slater, Nanette aldred, National gallery, National portrait gallery, Natural harmonics, Natural idyll, Natural notes, Natural trumpet, Natural world, October, Open horn, Page engraving, Palmerian, Pastoral, Pastoral idyll, Pastoral imagery, Pastorals ofvirgil, Paul banks, Paul bunyan, Paul mellon collection, Paul nash, Pear, Philip brett, Philip reed, Piper, Prison sentence, Prologue, Ralph vaughan williams, Recent work, Relief etching, Robert john thornton, Robert meyrick, Romantic painting, Royal academy, Rural england, Rural life, Same year, Samuel palmer, Second world, Semitone, Serenade, Sexual system, Sharp focus, Shoreham, Simon martin, Southbank centre, Stratford mill, Subject matter, Suffolk, Summer nights, Surrey landscape, Sutherland, Third edition, Thomas gainsborough, Thornton, Totes meer, True intonation, Twentieth century, Uncertain future, Vaughan, Vaughan williams, Vernacular, Virgil, Visionary, Visual arts, Watercolour, West kent, Wigmore hall, William blake, William empson, William vaughan, Yale center.

Url:

• https://api.istex.fr/document/8CC8D742A54D50A90772E8783066985E83EC18AD/fulltext/pdf

DOI: 10.1111/j.1467-8365.2010.00796.x

Affiliations:

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• to stream Main, to step Curation: 000531

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